The 88 Interview

by Diana Ciuca

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The 88 is “new, fresh, modern” band as described by the keyboard player, Adam Merrin. My interview with him provided descriptive information about where the band has been and where it’s heading. With outstanding appeal along with a strong Californian foundation, The 88 keeps rising to success.

From the Los Angeles region, Adam Merrin described the band’s hometown as being an “upper-middle” area which influenced the band’s music, since most environments tend to have an impact on the overall tone of a band. The two founding members, Keith and Adam both met in high school due to their common affinity for music. Adam remembers the “day that changed [his] life.” He recalled the idea of starting a band as a haphazardly recommendation friend. Nevertheless, Keith and Adam later tried to record a song that they wrote at a party, as that’s when the band finally took off as less of a concept and more of a possibility.The feeling of their first session of playing together – Keith’s great voice and Adam’s guitar talents – really had them saying “this is it,” as if being in a band was what they were meant to be doing. Although the band (formerly titled The Freeloaders) had no real direction or “financial motives,” their mutual passion for music and spirit of hard work helped lead to future success.


As every band knows, the members will suffer a few struggles, especially with the passage of time. Adam recalls how two of the foremost band members left and were succeeded. “Carlos was on the band for 13 years,” Adam mentioned, so it was tough when he left. Carlos was the former bass player who left because touring was taking a toll on the amount time he spent with the members of his other family – his wife and kids. As Adam illustrates it, the band members had always had a real family feel or closeness; He describes by mentioning that “it was difficult even leaving for a weekend” without being heartbroken. Brandon was also a former member of the band but moved on to a more Hollywood career and is featured in the HBO hit Weeds. The 88 actually has a hit on the soundtrack of Weeds along with many other hit TV shows like Grey’s Anatomy and The OC.


Being in LA is definitely a “great starting place,” as Adam puts it. It really aided in getting the band spots on radio stations and even live performances like on The Late Show and Jimmy Kimmel Live. This helped “spread their music” and commercial success. Bands like The Beatles and The Band are huge influences on The 88. They’ve also toured with big names like the Smashing Pumpkins and one of Adam’s personal favorites, The B-52’s on the east coast and Matt Costa on a Canadian tour. Adam mentioned these last two as being some highlights of his musical career. Nevertheless, the band, known for their energetic shows, put effort into every show. Adam expresses the 88’s shows as if every time they go on, they “try and make it the best show ever.” “We show fun when we’re doing it, we’re not too serious (not on stage at least),” he comments, “but we are very serious about the music we make.” When asked if Adam considers the band “indie,” he replies, “oh yeah, because we do everything ourselves; it’s how we survive as a band.” Their dedication and hard work is clearly evident, especially in their varied music that merits to fit under a broad genre.


With possible plans of a tour to Europe and elsewhere, this band, 19 years in the making, sees no plans for retiring. “I cannot see myself doing anything not music related,” Adam remarks. This is the general ideology of all the band members. Music is foremost. “Writing, practicing and preforming” is what The 88 does best. “We work hard and keep doing what we’re doing, ” Adam summarizes and adds, “we’re lucky and blessed.” A truly appreciative band that deserves the appreciate of fans everywhere, the 88 is a band who continues to thrive since they “open to doing something different because there’s always something new.”

To find out more, check out their website: www.the88.net; their myspace: www.myspace.com/the88, and even their twitter: twitter.com/the88

Converge-Music Review Axe to Fall

by Diana Ciuca

Thrash Metal: Converge’s Axe to Fall

Analyzing Hardcore Heavy Metal is almost as difficult as moshing in a pit to it. The sheer intensity of the song isn’t meant to be broken down and picked at, it’s supposed to be felt. Converge’s new album (coming out October 20th) keeps throwing rapid punches of guitar and drums at you throughout their album “Axe to Fall.”
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THE first song on the album, Dark Horse, initially comes as a surprise yet finally slows down midway through the song. Then tension is built up through the gradual increasing magnitude of the guitar and drums which culminates with ‘metal-core’ screaming. The next song, Reap What you Sow (2), consisted of even less audible screaming, with more musical force than before complemented by a ridiculously fast tempo. However, the issue with music like this is that if you’re not a fan, you can hardly appreciate the subtleties in each song (such as the difference between chords and variety of screams). I’ve been to local screamo shows, and they don’t have the energy that Converge exhibits, especially in the first few songs.

Their album is absolutely mind-blowing, in a scream-guitar-scream-drums kind of way. Nevertheless, the band proves their malleability throughout the rest of the album. At times I feel that Converge should stop ‘attacking me with music,’ but I would be mistaken to contend that the band would want to do anything less than roll with the punches (or high tempo guitar chords, in this case). The album sometimes progresses like a machine gun of noise, yet eventually slows down towards the end of the album and of several songs like Axe to Fall (3). That slow tempo is idyllic (relative to the rest of the songs). Furthermore, the high pitched guitar sounds unexpectedly add another facet to the band’s overall sound in the song Effigy (4) .

But then again, the addition of yet another pitch is like spreading mustard on a hot dog of music which is already saturated with ketchup, relish, mayonnaise, soy sauce, onions, and raspberries. In song Worms to Feed (5), the lead finally slows down with an almost angry Led Zeppelin-like guitar. Finally, this song exposes a more experimental side of the band with a spectacular ending. Worms to Feed, my personal favorite, it more variety to the typical rip chords and machine gun drums, but maintains generally the same feeling of heavy metal. The song Damages (7) probably doesn’t do as much damage to your hearing aids as you might expect; it seems almost refreshingly different. The feedback juxtaposes you in the “cliffhanger” stage of the whole album where you’re wondering if the band will soften up their style or keep pounding the guitar. To my joy, they eventually let go of the incessant noise saturated chords but only after songs 8-12 of more repetitive rip chords. They definitely are stimulating, yet it leaves you expecting something more.

Since I’m such a sissy when it comes to music that makes my speakers tremble constantly, Cruel Bloom (12) strikes me as a relieving break from the rest of the album. The muted voice (a legitimate voice, not screaming!) with the dreamy guitar sounds like the original Heavy Metal of Ozzy Osbourne. With a pendulum rhythm, the intro to Wretched World, the last song (13), represents the beginning of the end. With a slight resemblance to Smashing Pumpkins, the album eerily finishes with extended chords instead of the pounding ones we were introduced to at the beginning of the album. The energetic, electric discord which fades into a soft harmony parallels the overall structure of the album. Whether this was the band’s intention or not, “Axe to Converge” was a connected journey through heavy metal- beginning with extreme noise distortion and leading through various ups and downs of guitar tempos and pitches, and finally culminating with a slow, mellow denouement.

The Boys Are Back-A Review

The Boys Are Back
by Angela Robledo

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A film about a husband’s journey as he copes with life after the love of his life dies, The Boys Are Back is a story that depicts the harsh realities that come along with drastic change. Joe Warr has a seemingly perfect life until the unthinkable happens: his wife is plagued with cancer. He is forced to take on the role of sole parental figure with his youngest son, Artie. Adopting the phrase “Just Say Yes,” Joe attempts to raise his son in a fun, loving, and lenient environment. Just as he grasps the vast transition, his son from a previous marriage moves to live with him from England. The boys bond and the three of them come together as a family. Even with a few hiccups along the way, Joe manages to keep his family afloat.

Heartfelt scenes and quick, raw lines, The Boys Are Back was without a doubt the most powerful movie I’ve seen all year. My eyes watered throughout the movie; sometimes it was out of sadness, but most of the time it was in complete appreciation of the beauty of the scenes and how they accurately illustrated real life dilemmas. I can usually describe movies down to the very last shot, but this time the words don’t come so easy. The only thing I can assuredly say is that this movie was wonderful. It was the most emotional and stunning I have seen in a very long time. It tugs at the heartstrings, and there was not a dry eye in the theatre.

(4 stars out of 4)

Paranormal Activity-A Movie Review

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Movie Review
Paranormal Activity
By: Stephanie Figueroa

Its been called “the scariest movie of all time” and been demanded in hundreds of cities. What’s with all the hype about Paranormal Activity? Well, its not your typical horror film, thats for certain. Its safe to say, movies like these don’t come around often. If you are easily frightened and prone to sleepless nights, then suggesting to watch this movie would be pointless. If not, read on.
One aspect that sets this movie apart from others is the way it was filmed.
Writer-Director of the movie, Oren Peli, is a fan of slow-burn type movies. He created this film with a nominal crew of himself, his best friend, his girlfriend, and a hired make-up artist. The entire movie is through the point of view of a home purchased camera held by either of the two characters, Micah, played by Micah Sloat or Katie, played by Katie Featherson. The sensation of being a home video is really what is the most eerie, being that it seems realistic.
The couple in the film decide to record their daily lives, including their nocturnal ones, in case they discover what has been creeping around their house. As the movie progresses, Katie and Micah begin experiencing worse and worse “paranormal activity” in the house. On a nightly basis, something always seems to be disturbing their sleep. Whether it be footsteps or slamming doors, whatever it is, it wants Katie and Micah’s attention. And that is just what it gets.
The movies turning point is definitely towards the end. By then, the audience is on the edge of their seats. What comes next is something beyond unexpected. The ending will leave viewers speechless and questioning the little things that go bump in the night.