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Vampire Weekend “Contra” Review

Vampire Weekend- “Contra”

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Alex Rivera

Vampire Weekend returns with their sophomore album, the highly-anticipated “Contra.” When the first single “Horchata” hit the Internet, people couldn’t stop talking about it, and when their second single “Cousins” was released a month ago, people still couldn’t stop talking about it. After listening to “Contra,” I agree that the album lived up to all of the hype.

The album starts with the band’s first single off of the record, “Horchata,” a catchy song that will leave you asking what exactly Horchata is while humming the chorus as you’re walking to your class. The second track, “White Sky,” is equally as catchy with the band’s great use of drumbeats throughout the entire song. “Holiday,” the third song, instantly reminded me of “A-Punk,” the first single off of the band’s first album. The intros of both songs sounded exactly the same, and while that’s usually a bad thing, the remainder of the song makes up for the redundancy in the beginning.

“California English” reminded me of some fast-paced tropical song, especially through the drumbeats yet again, which is one of the things that I love about this band. “Taxi Cab” is more of a slow-paced song with the infusion of piano and violin and the use of witty lyrics that perfectly downplay how upbeat the majority of the album is. “Run” picks up with the fast pace right where it left off and has an extremely percussion-heavy and catchy chorus.

“Cousins,” the second single, opens with guitar and extremely fast drums, but it makes the song that much better! The chorus is awesome, the “hidden” bass lines that are thrown in complement the overall sound, and it’s just a happy song. “Giving Up the Gun” keeps the fast pace going, especially with the faster guitar strumming, which makes your head nod with the beat a little bit. “Diplomat’s Son” still keeps things a little upbeat but not as much as the rest of the album. As always, the use of drums is evident and the lyrics are witty.  The final track “I Think UR A Contra” is the slowest on the whole album, but what better way to end a record that’s been 99.9 percent fast with snare and bass drums beating away every single song? This song has the beautiful use of the piano in it, which softens it up and lightens the mood.

Overall, “Contra” is an amazing CD. I loved every single song, and I can finally see what everyone was talking about. Vampire Weekend did an amazing job on this, and there’s no doubt in the world that “Contra” will revolutionize the indie scene as well as win the hearts of Vampire Weekend’s fans new and old

Diana’s Guide:How to be (Heavy Metal) Hardcore

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Santa seems to be messing with me. I got some S-S-Stuff this Christmas. No, that’s not a stutter. It just so happens that some elf was looking through the music dictionary and decided to send me a stack of s-starting bands. He also attached a note with the words, “Santa Says Sorry”…And for good reason. Since we’re on the subject of studying the structure of the band names, we might as well also focus on the titles of their songs – all of them scream angst and non-conformity: Scar Symmetry’s Noumenon and Phenomnon off of their album Dark Matter Dimensions (2009), Samael’s Black Hole off of Above (2009), Suffocation’s Cataclysmic Purification off of their album Blood Oath (2009), Sonic Syndicate’s Burn This City from their forthcoming album in 2010, and finally, Sonata Arctica with Flag in the Ground off of Days of Grays. (2009).
But, to better understand the great weight of all of this metal, I’ve decided to make a guide to help myself and you in the meantime.

How to be (Heavy Metal) Hardcore

They’re more scared of you than you are of them. They loathe society. They are commonly known as punks, outcasts, rebels… but don’t be so quick to judge what is commonly known as HEAVY METAL.

Step 1: Appearance.
Hello! Dreads, much? A valley girl accent sounds worse to them then their grating voices may ever sound to us. Nevertheless, to be truly metal, your hair has to be either too long, too short (in all the wrong places, not there at all, or too dirty (example: Suffocation). The main singer in the follow A bit more difficult to bear and transform than the mass of whatever growing on your head is the coloring of your skin. Yep, tattoos. Prepare to get tatted up usually with an anarchist symbol or dragons. Maybe you will see some designs you like in the following videos, especially on the guitarists’ forearms. Last, but sometimes least, is the clothing. Keep it dark, dreary, and different. Surprisingly, tight black shirts are not as metro-sexual as one might believe (see Scar Symmetry’s lead singer as an example).

Step Two: Video Magic
We’ve covered the general basics, so let’s move on to the videos – appearance in action. Thankfully, unlike pop videos, the bands do not attempt to recreate the scene they are singing about. This occurs because of two reasons: 1. if this were in fact the case, most Heavy Metal music videos wouldn’t look that different (more on that later) and, 2. the video usually tries to capture the band in action, playing, since this is their most pure environment.
Effects:
Black and white
although really cheap, this effect worked well to show contrast in Scar Symmetry’s Noumenon and Phenomenon
A better documentation of this effect is evident in Samael’s Black Hole
In this video, they attempt to provoke nostalgia in a very 70s concert setting. They also used an old-video border (lame!) to enhance this effect. A for effort, but C for artistic creativity.
Cartoons
I know, right? You’re probably thinking that cartoons are such a childish idea. But, of all these heavy metal concepts, this is the best integrated one. Cartoons aid in depicting the utter havoc expressed through the song lyrics. Also, like in Black Hole, these cartoons/drawing repeatedly strike the same concept to ingrain an idea into your memory.
Quick Camera Angles
Although this may have the consequence of making your audience nauseous, this effect is apparently hardcore. All of the videos included this to a greater or lesser degree.
Setting
If it’s not in someone’s garage or an abandoned dirty factory, then some might say that you’re taking this “Heavy Metal thing too far, man.”
Nevertheless, an example of a more progressive Heavy Metal Video is Sonic Syndicate’s Burn This City which features some classy FX, like a helicopter scene along with a artistic background (of wrecked city rummage)
Fire
See Samael’s Black Hole,
and Sonic Syndicate’s Burn This City
Rammstein, Anvil, and Kiss all mastered the use of fire in live concerts. However, fire in live videos (albeit ‘hardcore’) doesn’t have the same desire effect. Scar Symmetry featured the most pathetic recreation of fire using a green screen which made them look more penniless than ruthless.
Along with fire comes burning and blood.
RED
a symbol for anger, hate, pain, and suffering. Widely used to emphasize a certain point and goes well in contrast to the widely used and abused black and white effect.
See Suffocation’s Cataclysmic Purification
Head-banging
Obvious, but true. You cannot achieve any level of hardcore-d-ness if you are incapable of producing an intense headbang. Just like machine guns, the guitarists (most often) attack the camera with their head banging flair/hair.
The more you move your head, the better you are at being hardcore.
In Suffocation’s video, the band members move so much that one would assume that they are absolutely faceless.

Step Three: Music
ahh, yes, we finally arrive to the musical aspect of this sub-culture. Heavy metal music has 3 distinct melodic components: Percussion, Guitar, and voice. Also, it has the ever recurring theme of isolation, death, depression which they use to attract a distinct audience.
Percussion
Continuous percussion results in a hardcore headache. Sonic Syndicate, for instance, alternated the drum pounding with vocals and light to moderate guitar.
Nonetheless, the drums need to be banged extremely hard. The more action the better. If you can actually break your drums (or your arms) during a show, mad props to you.
Guitar
Guitar riffs can be frequently over-used, such as in Scar Symmetry’s song. Again, in moderation, this effect will work well especially a bit after the halfway point of the song. Led Zeppelin was famous for their guitar solos. Sonic Syndicate and Sonata Arctica managed to skillfully demonstrate enough guitar to sound hardcore, but not too much to end up sounding like some punks.
Vocals
RAAAAAAAAAAWR
No, really. Gimme a throaty scream, growl, anything. It’s not just to create noise (although I would disagree), but it’s purpose is to reflect emotion.
In moderation, this effect can equate to a nice balance of actual singing and strong growls.
The growls also create an interesting rythmn by balancing out the percussion (as in Suffocation’s song).
Light vocals can create too much of a similarity to love ballads (which is soft/pillow/plushy metal). Sonata Arctica almost crossed the line with their (over)incorporation of soft vocals and extended ballads along with the desperate, “”Hope to hear from you soon,” lyrics. They also featured a Rush-like voice along with a keyboard-guitar (Key-tar!). This resulted in an eerie Hair-Metal mix of Pirates of The Carribean.

Need more help on being Hardcore? Just go to a show! For that, you’re going to need some protection (helmet, mouthguard, kneepads, life insurance). I’ll be sure to give you a How-to Article on that later. Don’t forget to keep listening and observing. Some good guides are Vh1’s heavy Metal Documentaries, the Anvil Docudrama, and my personal favorite THIS IS SPINAL TAP.

Norah Jones “Chasing Pirates”

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Review: Norah Jones- “Chasing Pirates”

By: Alex Rivera

This video by Norah Jones was probably one of the cutest I’ve seen in a while. It starts off where she receives a message in a bottle (among numerous others as the video soon shows) and she then grabs a treasure map and starts to plan her voyage.

The video also has numerous allusions to the Pirates of the Caribbean movies- the infamous black flag of the Black Pearl with the skull and crossbones, the spinning ballast to lift a rather large anchor, and wide sails. In the end, Jones “sails” her apartment building through the city streets. Although obviously unrealistic, anything can happen in a music video.

The video does a great job in relating to the song title and its lyrics, from the pirate “ship” to the clothes that the artist wears. Unlike other videos, it’s very clear to see the storyline that follows this song- a girl “chasing pirates” for treasure. It sets the viewer apart from reality, taking them to a little world where apartment buildings sail through an ocean of tenants and sails are placed on top of chimneys. But, as simple as the video is, it blatantly shows the viewer the story and nothing more. Then again, nothing else is really needed.

30 Seconds to Mars

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Review: 30 Seconds to Mars- “Kings and Queens” Music Video
By: Alex Rivera

30 Seconds to Mars comes back onto the scene with their new single “Kings and Queens,” an alt-rock ballad with orchestral notations interwoven between the fast-paced beats of a snare drum and smooth guitar notes. The video itself showcases the band on a rooftop overlooking a city illuminating the night sky, while panning back and forth to scenes of a huge mass of bicyclists roaming the city streets at night, led by the band’s frontman Jared Leto.
In between shots of the bicyclists, you see some people in abtract costumes (specifically a cow suit and people dressed up as clowns on unicycles) while you have others performing stunts and tricks on their bikes like professional BMX bikers.

The video gets a little more random when one of the cyclists gets hit by a car, only to be awakened five seconds later by a white horse galloping down an empty side street. The cyclist then gets up, grabs his bike, and rides away.

Overall, I think the video was extremely random and had nothing to do with the song itself, although I did find some of the camera angles extremely interesting, such as the overhead shot of all of the cyclists riding all together in a whirpool-esque circle towards the end of the video and also the shot where all of the flashing lights of the bikes are lighting up the inside of the tunnel. But, ultimately, I personally believe that the band could’ve done something a little more relatable to the song in this video. However, maybe the abstractness of the video captured an underlying storyline that wasn’t directly presented to the viewer. All you can do is watch and see for yourself and come up with your own verdict.

Jingle Ball 2009 Y100 Miami

by Melanie Bae

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Jingle Ball 2009 was overflowing with a unique variety of artists. The artist were ranging from Flo Rida to Colbie Callet. It was hosted by Leighton Meester and Adam Lambert. The whole show was kicked off with Leighton Meester entering singing “Good Girls Go Bad” the hit single by Cobra Starship which Leighton had appeared on. Miss. Meester then followed the intro with her single “Somebody To Love,” but was cut short do to some “technical difficulties.”

Jason Derulo, who has the hit song “Whatcha Say,” was given his chance to sing two songs from his latest self tittle album, and his performance was one worth sticking around for. Where can I begin with Flo Rida? All you could do is ” throw your hands in the air a-air.” Flo Rida also felt it was necessary to strip and give all his clothing to the audience, and his jacket also caused some bit of commotion on the floor. 3OH3! was undesirable, in a good way. They played Starstrukk, Don’t Trust Me, and Don’t Dance. The hilarity behind this was that the whole crowd sat down during Don’t Dance, must be because it has never been a single, but 3OH!3 was fantastic.

The dance party was however put to a halt when Colbie Callet began to perform. She has a beautiful voice, but the aimless wondering around the stage and the lack of enthusiasm brought down the hype and excitement the other performs had built up. Adam Lambert sang a bit of acapella in between acts, and it was breathtakingly beautiful and pure. LMFAO was my favorite of the night. They brought such excitement to the crowd and their energy was contagious.

Timberland walked on stage with a orchestra tape playing loudly, and you could tell he thought he was creating a “epic” moment. Timberland was talking through some back-up tapes his DJ was playing, but he did bring Brandi and JoJo to the stage which was a nice surprise. Jordin Sparks was one of the closing acts, and no doubt that girl had the best vocals of the night. Her voice was flawless, and the intensity she brought to her performance brought the crowd to their feet.

The closer of the night was one and only Shakira who shook her body awkwardly and sang some song as well as she could as she danced. All in all the show was fun and the performers did a great job.