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A Review: “This is It” Michael Jackson

by Angela Robledo

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As countless audience members piled into the theatre, the room was silent as fans anticipated the film that would give them a peek inside their hero’s life in his last musical days.  As the opening credits rolled, I could hear the anxious bites of popcorn and see the nervous bites of nails. “This Is It” is the film that depicts the gone-too-soon idol in his honest role of performer and friend. Michael Jackson made many dreams come true with the announcement of his London tour, however many fans in the United States were unaware of just how much tenuous work was put in to the project.

Through this film, we had the opportunity to see just that: a wise man’s work for a project he was passionate about. With cameras there in moments usually unseen, I discovered that Jackson is not the man the tabloids expose him to be. Instead of the high voiced and slightly outrageous person depicted on magazine covers, he is actually a musician with a good sense of humor, a sensitive heart, and killer dance moves (but we already knew that one).

Known for his groundbreaking music videos and explosive shows, Jackson ensured the “This Is It” London tour was to be nothing short of spectacular. As a film buff myself, I had a great appreciation for the music videos to be used as song intros. In one introducing the hit “Smooth Criminal,” Jackson is in the middle of Chicago during the prohibition era battling with renowned black and white actor Humphrey Bogart. Had it not been for this movie, the mass creativity and resources already put in to this tour would have remained unknown. Fans in the audience watched intently as they watched a great show come to life before their eyes.  While it’s a shame this tour had to be cancelled due to Jackson’s untimely and devastating death, the film aided in bringing his legacy to life once again.

During the movie I could not grasp the fact that this motivational artist was simply gone; his spirit was very much alive on the big screen. His dancing and majesty on stage was skillfully captured, and fans could not help but clap and sing along with the hits we all know so well. Not a foot in the room could refrain from tapping. “Man in the Mirror” played as we saw Jackson holding hands with his dancers, thanking them for being a part of it all. His love and sincerity was evident as he brought them in for a group hug. The film ended in a freeze frame of Jackson with his arms out wide, embracing the fulfillment of the end of a song. The picture stayed on screen for a long moment, allowing fans to remember this image that described the passionate man so well. Eyes were dried, and immediately the theatre broke out in applause.

I left the theatre with bittersweet feelings: inspired by a man’s dedication to his creativity and inspirations in life, and sad that such a trivial person was gone so soon. “This Is It” is a tremendous film that allows fans around the world to forever remember Michael Jackson and his legacy as a beautiful human and motivational artist.

-A perfect four stars out of four-


Brand New-“Daisy” a Review


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By: Vanessa Paredes

album: Daisy

Band: Brand new

release date: sept 22 2009

Record Label: Interscope/DGC/Procrastinate! Music Traitors

Formed in Long Island, New York, Brand New has been causing a scene for almost decade now, and with three successful releases, it is safe to say their fourth was highly anticipated. Daisy hit stores Sept. 22, after nine long months of creative juices flowing and hours on end spent in the recording studio. The band sets a noticeably more aggressive tone with Daisy, though the record is still somewhat relevant to their previous album The Devil and God Are Raging Inside Me in the way that Jesse Lacey (lead singer/songwriter) delivers a dark atmosphere along with passionately sung lyrics that will have the listener begging for more. Yet it is hard to believe Daisy is Brand New’s work when comparing it to their first two albums Déjà Entendu and Your Favorite Weapon. A once punk band that produced songs that can easily be described as every 18-year-old’s anthem has grown up and changed its ways.

An experimental approach has been taken with Daisy, playing around with distortion and abstract sounds giving it a unique edge. The most notable approach Brand New took in their latest album was the intro/outro. As the first track “Vices” begins you are sent back in time to the 1950’s with a church hymn featuring a vintage vocal and piano recording, and before you know it Brand New dives into an intense introduction that will set the mood for the rest of the album. The subsequent tracks throughout set up a similar atmosphere, yet each one still has something extraordinary to offer. Among these, “At the Bottom” really stands out; it has a catchy melody accompanied by whimsical lyrics and impressive break down that will have you rewinding the song to hear it over and over again. The song is considered to be Daisy’s single.

When it came down to a well written song chances are track 7 “Daisy” will truly satisfy the lyric lover in you; versus like this one really make an impression:“I’m a mountain that has been moved, I’m a fugitive that has no legs to run, I’m a preacher with no pulpit, spewing a sermon that goes on and on and on…Well if we take all these things and we bury them fast , and we’ll pray that they turn into seeds, to roots, and then grass.” The entire album was written by not only Lacey, but guitarist Vincent Accardi as well.

The record finishes off with “Noro” which delivers an upbeat rhythmic drum line that catches your attention instantly, as well as the highly appropriate line “I’m on my way out”. This is easily the best song featured on Daisy. Just as one thinks the song is finished, that same familiar 1950’s Hymn previously heard in the introduction ties it all up, successfully completing the album.

It is important to keep in mind that Daisy is an acquired taste, and it is more than likely that its listeners will have to give it a few spins before it grows on them. In addition, Daisy is not meant for the general mainstream audience, so this album may not be for everybody. Daisy is sure to please Brand New’s die-hard admirers as they will recognize well developed chord progressions, drum and bass lines, as well as thought provoking and mature lyrics. Overall the production of Daisy is phenomenal and should not be overlooked; albums like this one do not come around very often.